Designed by an LA session bass player, Blake Riley, and me.

This preset has two fundamental tones: 

• A DI tone which emulates his direct recordings.

• An amp tone which emulates his amp sound from a live recording of “What’s Goin On” that we found.

This preset is meant to be used with a P bass with flat wounds as Jameson would have used.

If you don’t have flat wounds, you can put a mute (some foam) at the bridge, with your tone rolled off to emulate this.